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May 16th, 2000, 10:14 AM | #1 |
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slowly but surely, we have been winning over the mainstream media. if you would like to see more articles, check out these threads (now closed):
CITY COUNCIL TO RE-VISIT THE RAVE ISSUE www.hullabalooraves.com/ubb/Forum11/HTML/000024.html CITY COUNCIL PASSES MOTION TO SUSPEND RAVES ON CITY PROPERTY www.hullabalooraves.com/ubb/Forum11/HTML/000039.html [this thread is a chronological continuation of the above two threads. follow them and you can see the gradual change in media attitude and education. ] ------- ------- ------- ------- ------- Tuesday, May 16, 2000 The sky isn't falling Donna Laframboise National Post Earlier this month Julian Fantino, Toronto's new police chief, sent a letter to the prime minister inviting him to a rave -- an all-night dance party frequented by young people. According to Chief Fantino, raves are "threatening the very fabric of Canadian society." In the three-page letter, he offers to escort Jean Chretien to a Toronto rave so he can witness "kids, most of them under 16, high on drugs." Chief Fantino believes 80% of those who attend these events are on drugs and insists this represents "a health and safety emergency that could easily become an epidemic." Since Mr. Chretien's schedule has yet to accommodate a visit to a rave, I decided to attend my first one this past weekend. At age 37, this required help from a younger, decidedly more hip, National Post colleague. On his advice, my first stop was the hair salon where (temporary) pink and orange neon was spritzed into my hair. Stop two was trendy Queen Street West, where I tried on baggy pants in funky clothing stores before settling on a skirt purposely designed to drag on the ground. These same shops distribute dozens of postcard-sized glossy ads for upcoming raves. Chief Fantino has complained such promotional material incorporates drug imagery, thus sending young people the message that drug use is "cool, safe and a must-do." But that's not what I saw. Indeed, two of the 50 or so ads I examined explicitly condemn drug use: "Zero tolerance. No drugs!" reads one. "Strict Searches. NO drugs, markers, weapons" warns the other. Among the remainder, I found drug imagery only once. Rather than being integral to the ad itself, the small marijuana leaf is part of a logo for one of four businesses where tickets to the event can be purchased. In comparison to the much larger marijuana leaves the Body Shop uses to promote its hemp-based skin-care products, this is a mild example of pro-drug propaganda. Since such promotional material is expensive to produce and is distributed weeks in advance, it's unlikely the entire rave scene managed to sanitize its advertising in the brief time since Chief Fantino began declaring the sky is falling. While the material he describes surely exists, it's far from rampant. No large-scale raves took place in Toronto on the weekend, but on Friday and Saturday night my friend and I visited a total of eight venues: four small raves and four larger, all-night dance clubs that play rave-type music. Only once, at an establishment that charged $18 admission and served strictly non-alcoholic beverages, did I see a child definitely too young to be out partying at 2 a.m. The boy, well dressed and a cigarette smoker, told us he was 14 but looked 12. He said he'd come with friends, a 15- and 16-year-old, and that his parents thought he was sleeping over at their house. Is Chief Fantino right that the parents of such children need to be more vigilant? Absolutely. Should the promoters themselves be turning these kids away? Yes (many liquor-licensed events already do). But it's quite an exaggeration to say that the majority of ravers are under 16. Security guards frisked us at the door to most of these events: running their fingers along ball cap headbands, shining flashlights into knapsacks, and insisting people throw away bottled water (it could contain illicit drugs). I saw large signs warning that those using or selling drugs would be escorted from the premises, and witnessed security guards hustling a young person into the men's room for yet another search. Drugs of the legal variety -- alcohol and tobacco -- were available in abundance at most of these places, the music was deafening, and first-aid personnel were often on hand. One event included an information table distributing ear plugs, condoms and literature on how to spot a drug overdose. The only readily detectable illicit drugs were marijuana and hashish. But one doesn't need to attend a rave to find these. Indeed, while waiting for a taxi Friday night on College, one of Toronto's main streets, two people taking shelter from the rain under the same overhang asked if we minded if they lit up a joint. It's not clear how Chief Fantino's claims that most people attending raves are high on drugs can even begin to be substantiated. (How can he tell they're not drunk?) But we do know that when two huge events attracted 21,000 young people between them recently, police laid fewer than 100 drug charges. In my view, there's reason to be concerned about Ecstasy, a hallucinogen popular with ravers that comes in pill form. Some people have allergic reactions to it (as many do to other pharmaceuticals), and some inadvertently overdose on it. While our youth don't risk death from a few puffs of marijuana, and usually vomit before they can die of alcohol poisoning, Ecstasy can kill. Consequently, like mountain climbers and sky-divers, those engaging in this activity should strive to minimize the risks. That being said, it's worth noting that among the nine Ecstasy-related deaths in Ontario last year, only three (all involving adults) were connected to raves. At every Toronto rock concert I've attended in the past decade, audience members have smoked pot while police officers turned a blind eye. Had the cops bothered to frisk the middle-aged bikers attending Bruce Springsteen's recent concerts, they would almost certainly have found weapons. In other words, when large groups of people of any age congregate, a small percentage of them may well do illegal things. But despite Chief Fantino's apocalyptic rhetoric, and despite the guns and knives spread out for the TV cameras at his anti-rave press conference (which, disturbingly, turned out not to have been seized from raves at all), rave-related safety concerns appear to be eminently manageable. Either Julian Fantino, the new police chief of Canada's largest city, is badly misinformed or he's a hardline law-and-order crusader with highly questionable judgment. |
May 16th, 2000, 10:17 AM | #2 |
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donna laframboise is a very influential and respected reporter. she is also a member of the canadian civil liberties association (CCLA), a group that we are hoping will get involved in our fight with city council (and possibly the provincial legislature).
Klubmasta Will |
May 16th, 2000, 11:16 AM | #3 |
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Thats probably the best article i've read on raves. I recognized the name of the writer and it took me a few minutes to realize why. A couple years ago, I believe, my parents wrote a letter to her commending her on an excellent article. I think I should follow suit and do the same.
Dave |
May 16th, 2000, 11:54 AM | #4 |
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I saw this woman on friday with Mitchell Raphael. I thought she sorta looked like a duck out of water
Thats a really great article. I love the national post. Saffron *original UK dj/mc tease* |
May 16th, 2000, 12:05 PM | #5 |
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yes, we should be supporting the good media by writing letters to them and their editors. this way, they will be able to continue to cover the rave scene and help us educate the mainstream.
write a letter to letters@nationalpost.com and commend the work of: Mitchel Raphael Don Wanagas Donna Laframboise Jennifer Prittie write a letter to editorial@thestar.ca and commend the work of: Ben Rayner Betsy Powell write a letter to Newsroom@GlobeAndMail.ca and Letters@GlobeAndMail.ca and commend the work of: Naomi Klein and yes, we even have an ally at the toronto sun. write to editor@sunpub.com and tell them that every other reporter there could learn a thing or two about responsible journalism from: Sue-Ann Levy we have to support the reporters that support us. if you know of any other good journalists, add their names and contact info to this thread. Klubmasta Will |
May 16th, 2000, 07:20 PM | #6 |
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May 16th, 2000, 07:23 PM | #7 |
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quit buggin the newspaper ppl they have work to do
http://www.pukkadawn.com |
May 17th, 2000, 09:54 AM | #8 |
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new articles go here.
articles about the coroner's inquest go in the "Coroner's Inquest - Diary of Events" thread. cheers, Klubmasta Will |
May 29th, 2000, 02:02 PM | #9 |
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Detroit all the rave
Techno music's birthplace shows T.O. there's nothing to fear By Ben Rayner Toronto Star Pop Music Critic May 29,2000 DETROIT, Mich. - Memo to Mayor Mel Lastman and police Chief Julian Fantino: If you'd like some quick pointers on how to deal with the rave ``problem,'' jet down to the Motor City before the inaugural Detroit Electronic Music Festival wraps up in a blaze of techno glory tonight. Mere weeks after the City of Toronto alienated its legions of young electronic-music fans by outlawing raves on city property, Detroit has met the widely misunderstood global dance culture halfway - with spectacular results, thus far. By giving the Detroit River waterfront in Hart Plaza over to a free, three-day party featuring a mind-numbingly strong lineup of some of the world's finest DJs, electronic composers, hip-hop acts and electro-friendly jazz artists, city officials have created an oasis of sublime sounds and positive vibes in the heart of America's most infamously decayed metropolis. Tens of thousands of visitors had passed through the thronging (and throbbing) plaza - situated beneath Detroit's still-impressive Art Deco skyline and overlooking its modest Canadian cousin, Windsor, Ont. - to absorb the beats flowing from the festival's four stages by the time an early rain had abated on Saturday afternoon. Families and curious seniors (it's a trip encountering a pack of septuagenarians politely asking directions to ``the underground stage'') mingled with baggily attired hordes of textbook rave kids as such world-renowned performers as The Roots, DJ Spooky, Mos Def, Spacetime Continuum and Detroit techno pioneers Stacey Pullen, Juan Atkins and Kenny Larkin dropped slinky, frequently soulful sonics on the city generally acknowledged as the birthplace of techno, and, hence, as the birthplace of the entire rave movement. ``We usually have to fly eight hours to Japan or London or Australia to get this kind of reaction,'' remarked jubilant Detroit DJ/producer Carl Craig, the festival's artistic director, from the DEMF's main stage at the close of Saturday night's festivities. Craig's comments nailed the driving impetus behind the ambitious, $500,000 festival: To bring some of the respect trailblazing Detroit DJs and producers like Atkins, Derrick May and Kevin Saunderson enjoy abroad back home, and to employ the city's global reputation as ground zero for techno and all its bastard offspring as further ammunition in Motown's ongoing attempt to restore some of its blighted grandeur. ``This festival is a history festival,'' observed Pullen backstage after his stomping opening-night set, ``because, basically, you want to educate the people who've known about the music for a long time but kind of lost track of it, but also to educate the people who didn't know the history of this music . . . ``And it's nice just playing a festival where you don't have to get on a plane and go back home afterwards.'' Belying Detroit's rather hostile reputation, the mood in Hart Plaza was uniformly upbeat. Performers mixed amiably with the crowd, while uniformed police officers maintained a surprisingly low-key security presence, chatting and sharing smokes with attendees. Windsor-based DJ/producer Richie Hawtin, who should, if past experience is any indication, tear the figurative roof off the festival when he closes it tonight, even brought his mother along to peddle vinyl and T-shirts at the Minus Records booth. As of Saturday evening, police and festival officials had no major problems at all to report. ``It's fine, it's just music,'' said officer Octavious Miles, adding the police force would much rather deal with a city-sanctioned event than some unlicensed party in an abandoned warehouse. ``The people that enjoy that music are welcome to come down and enjoy it. It's a little wet, but people are having a great time down there.'' Phil Talbert, special-activities co-ordinator for the City of Detroit and a neophyte techno enthusiast ( ``I'm a fan now''), was already confidently crowing that the municipal government would ``see through'' its three-year commitment to support the DEMF. ``The city got behind this because we were looking for a mechanism to reach our young people,'' he said. ``We want to have positive activities for people of all ages, but one of the groups we were missing was the 18-to-35 . . . We're having a resurgence in Detroit, and young people are the manner with which we'll be able to build the future.'' In stark contrast to Toronto's recent hysteria over anything resembling a rave, Detroit didn't approach the DEMF any differently than it does any other public event, said Talbert. ``In fact,'' he added, ``we've had less problems here than we've had with other events we do.'' Festival producer Carol Marvin gleefully reported that a representative of the City of Toronto had actually contacted Detroit asking ``how do you do this?'' (Talbert, unfortunately, had vanished into the mob before he could lend confirmation to such beautiful irony.) ``You know what our issues were last night?'' beamed Marvin yesterday afternoon. ``Cuts and scrapes. We didn't have a rash of ecstasy overdoses and people screaming in the streets. It was cuts and scrapes. From dancing.'' Marvin's assertion that the Detroit Electronic Music Festival was ``a dream come true'' for all of its participants was echoed during Pullen's Saturday-night turn on the decks, when he threw an excerpt from Martin Luther King Jr.'s famed ``I have a dream'' speech into the mix. Not only is the festival bringing belated recognition of Detroit's hallowed position on the international dance-music map back to Detroit, Pullen later observed, it's a rare chance for the city's musical ambassadors to socialize, since their globe-trotting work schedules rarely permit much at-home time. From a fan's perspective, too, there have already been a few ``dream'' moments: Witnessing Kenny Larkin spin ardent admirer Richie Hawtin's seminal Plastikman track ``Spastik'' while its creator looks on from stage left and a hometown crowd roars its approval beneath comes to mind, for one. ``It's like dropping a stone in a pond,'' ventured New York's DJ Spooky as Larkin played on. ``The waves went out, they've reached the edge of the echo chamber and now they're bouncing back in. This is kind of like a renaissance.'' |
May 30th, 2000, 01:30 PM | #10 |
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Tuesday, May 30, 2000
Many questions left unanswered Issues surrounding designer drug use remain cloudy Jennifer Prittie National Post Everything about Allen Ho's death makes for a powerful story. Over the course of his high-profile inquest, the city has heard repeatedly how he collapsed at an underground rave, which was held in a hot, stuffy parking garage with no lighting and insufficient fire exits. It's not known how much Ecstasy Mr. Ho took, but it is clear that when a friend stumbled across him at 3:30 a.m., he had already succumbed to terrible convulsions. But while Mr. Ho's inquest has turned underground raves into dinner-table conversation, it has also created a false view of designer drug fatalities in the province. (The term "designer drugs" has come to include substances such as Ecstasy and GHB.) It's easy enough to trace the way that came about. When the coroner's office saw Ecstasy-related deaths in Ontario jump during the past year, it decided to hold an inquest into the drug. Mr. Ho's case was eventually chosen as a representative case, but the other deaths were also to play a significant part. What actually happened -- during a remarkably adversarial hearing that was more trial than public inquiry -- is that those other deaths were introduced, and then largely ignored. Mr. Ho's death, as it turned out, was hardly representative at all. The statistics presented to the coroner's jury concerned 13 Ecstasy-related deaths, encompassing one in 1998, nine in 1999 and three that occurred earlier this year. What was most striking about the cases is the range of circumstances and substances involved. To begin with, seven of the deaths involved cocktails of drugs, including heroin, cocaine, and methadone. The most reliable conclusion to be drawn from the deaths, in fact, might be that users need to be warned against taking more than one powerful drug at a time. Furthermore, it's questionable whether those seven cases should be labelled Ecstasy-related deaths at all. One witness explained that it's not possible to know which drug in the cocktail caused death, so they could just as easily be grouped under heroin- or cocaine-related deaths. Only three of the 13 deaths had any connection with raves, and only one, Mr. Ho's, involved an underground rave. Three of the deaths occurred at home, and two at bars in small Ontario cities. Another user was found in a park, and yet another at a construction site. The deaths evoke a drug that can be found in a variety of circumstances. What they don't show is any evidence that Ecstasy and raves are any more deadly a combination than Ecstasy and other environments. For those who have followed coverage of Mr. Ho's inquest, that could be a difficult point to accept. But it's reinforced by three additional deaths involving Ecstasy that occurred over the May 24 weekend in the Oshawa and Ajax areas. According to Dr. Jim Cairns, Ontario's deputy chief coroner, none of the three had any connection with raves. (The deaths occurred separately, and tests to see whether other drugs were present should be available in several weeks.) There is another set of numbers that shows a broader view of local designer drug use. It was supposed to be discussed at Mr. Ho's inquest, but curiously was not introduced as evidence at all. Those numbers come from a study of designer drug admissions at the emergency department of St. Michael's Hospital. It shows that, of 62 such admissions on weekends last year, 40% involved the drug GHB, and only 18% involved Ecstasy. The study showed patients coming from two big downtown clubs -- where raves are occasionally held -- but also from bars and parties. Frequently, when witnesses at the inquest tried to talk about drug use in venues other than raves, they were shut down. That was typified by an unpleasant exchange in which a witness attempted to discuss drug use in downtown bars. "We're just dealing with raves and Ecstasy here," snapped coroner's counsel Paul McDermott. Furthermore, testimony repeatedly showed just how poor most rave-related information is. Instead of presenting reliable data about the age of ravers, and the percentage of them who may be taking drugs, experts proffered a series of bad guesses, proving only that such numbers should always include a proviso explaining how they were arrived at. Indeed, while it is now received wisdom that designer drugs are targeted at the city's "early teens," the St. Michael's study showed patients' average age to be just over 22. Among the 13 dead, ages ranged from 17 to 28, with nine cases over the age of 20. There is still no accurate, broader picture of designer drug use in Toronto. At times, witnesses did refer to Ecstasy use in venues from nightclubs to homes to bush parties. And David Collins, of the Toronto Harm Reduction Task Force, told the jury that while Ecstasy use may have once been the province of ravers, it has now spread to an older, thirtysomething demographic. But it's important to know those things for certain: If they're right, then a central point of Mr. McDermott's case -- that raves and Ecstasy have a particular connection -- may be long outdated. Why is poor and missing information, and a lack of context, such a potential problem? For one, it means that, to prevent more designer drug deaths, education efforts may have to be targeted not just at the rave community, but much farther afield. (In fact, it could be argued that cracking down on raves means dispersing a group of people that knows far more about safe designer drug use than any other group). It means that continual reference to Ecstasy and other designer drugs as rave drugs is misleading, and that, in future, the coroner's |
May 30th, 2000, 01:30 PM | #11 |
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